{"id":7,"date":"2019-07-09T10:16:52","date_gmt":"2019-07-09T08:16:52","guid":{"rendered":"https:\/\/blogg.uit.no\/ekv014\/?page_id=7"},"modified":"2019-07-09T14:01:44","modified_gmt":"2019-07-09T12:01:44","slug":"abstract","status":"publish","type":"page","link":"https:\/\/blogg.uit.no\/ekv014\/abstract\/","title":{"rendered":"Abstract"},"content":{"rendered":"<h3>English<\/h3>\n<p>Waitt and Duffy (2010) emphasised the loss of information in tourism research by arguing that a new understanding of knowledge, social power and interconnection between actors and tourism can be uncovered by focusing our attention on the ear and the world of sound. This thesis focuses on the importance of sound and soundscape in S\u00e1mi tourism. Inspired by abductive procedures (Alvesson &amp; Sk\u00f6ldberg, 2017) my work presented itself to become a S\u00e1mi phenomenological feminist material semiotic (van der Duim, Ren, &amp; J\u00f3hannesson, 2017; Ingold, 2002, Haraway, 1988; Law, 2004). I developed my project based on an interest in the embodied sensuous experience of the world and to investigate the role of the sound with a S\u00e1mi entrepreneur at Vuolit Molle\u0161johka Duottarstophu. Through my indigenous performance ethnography an emphasis was placed upon sound recordings. I also used conversation, and others storytelling and participated practises as methods. Bringing attention to the ear, sounds, the acoustic and the sonic in tourism surprisingly, the tacit knowledge of traditional skills presented itself. Caring for everything that belongs to and passes through the surroundings at Vuolit Molle\u0161johka demands enhanced sonic skills of listening. Sound shows the effect that materials have, how they relate and when they matter. By participating in the daily practices and paying attention to how Piera and his family practice j\u00e1vredik\u0161un (caretaking) to all the verddes (guest-friends) that passes through their meahcci (nurture land), they give a possibility to experience their ways of knowing, being and doing in the soundscape. Local and traditional skills are used to re-create symbolic relations and practises that have been repressed under colonialization. In the process of decolonialisation of S\u00e1pmi, the Verdde tourism concept developed at the Vuolit Molle\u0161johka makes for an interesting contribution to the encounters of knowing coming together in difference.<\/p>\n<p><strong>Key words<\/strong> \u2013 indigenous ways of knowing, embodiment in tourism, soundscape, materiality, care.<\/p>\n<h3>Norsk<\/h3>\n<p>Waitt og Duffy (2010) hevder at informasjon g\u00e5r tapt i reiselivsforskningen ved \u00e5 ikke ta hensyn til \u00f8ret og lydens verden. En ny forst\u00e5else av kunnskap, sosial makt og samhandling mellom akt\u00f8rer og turisme kan avdekkes ved \u00e5 fokusere v\u00e5r oppmerksomhet denne veien. I denne oppgaven fokuserer jeg p\u00e5 betydningen av lyd og lydlandskapet i Samisk reiseliv. Inspirert av abduktive prosedyrer (Alvesson &amp; Sk\u00f6ldberg, 2017), og det som etter hvert materialiserte seg som en samisk fenomenologisk feministisk materiell semiotikk (Van der Duim, Ren, &amp; J\u00f3hannesson, 2017; Ingold, 2002, Haraway, 1988; Law, 2004), utviklet jeg dette prosjektet basert p\u00e5 en interesse for den kroppslige opplevelsen av sanseinntrykk gjennom \u00e5 unders\u00f8ke lydens rolle sammen med en samisk entrepren\u00f8r p\u00e5 Vuolit Molle\u0161johka Duottarstophu. Jeg utarbeidet en urfolksetnografi med vekt p\u00e5 lydopptak. Jeg brukte ogs\u00e5 samtaler og lytting til historier og praksiser som metode. Ved \u00e5 rette oppmerksomheten til \u00f8ret, lydene, den akustiske og soniske i turisme, framsto tause tradisjonelle ferdigheter og kunnskaper. Omsorg for alt som tilh\u00f8rer og passerer gjennom omgivelsene p\u00e5 Vuolit Molle\u0161johka, krever godt utviklet kunnskap om lytting. Lyd viser til effekten av materialene, hvordan de relatertes og n\u00e5r deres funksjon er viktig. Ved \u00e5 delta i de daglige praksiser og holde oppmerksomheten p\u00e5 hvordan Piera og hans familie praktiserer j\u00e1vredik\u0161un (omsorg) til alle verddene (gjestevenner) som passerer gjennom deres meahcci (hjemlige omland), gir de muligheten til bes\u00f8kende \u00e5 oppleve deres m\u00e5ter \u00e5 forst\u00e5, v\u00e6re og gj\u00f8re seg nytte av lydbildet. De lokale og tradisjonelle ferdighetene brukes til \u00e5 gjenskape symbolske relasjoner og praksiser som har blitt undertrykt under kolonialiseringstiden. Konseptet Verddeturisme, som er utviklet p\u00e5 Vuolit Molle\u0161johka, er et interessant bidrag til \u00e5 &#8220;komme sammen over ulikheter&#8221; (Verran, 1998) i prosessen med \u00e5 dekolonisere S\u00e1pmi.<\/p>\n<p><strong>N\u00f8kkelord<\/strong> \u2013 urfolks kunnskapsforst\u00e5else, kroppslige reiselivsopplevelser, lydlandskap, materialitet, omsorg.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>English Waitt and Duffy (2010) emphasised the loss of information in tourism research by arguing that a new understanding of knowledge, social power and interconnection between actors and tourism can be uncovered by focusing our attention on the ear and the world of sound. This thesis focuses on the importance of sound and soundscape in [&hellip;]<\/p>\n","protected":false},"author":272,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-7","page","type-page","status-publish","hentry"],"featured_image_src":"","featured_image_src_square":false,"rbea_author_info":{"display_name":"Ellen-Johanne Kvalsvik","author_link":"https:\/\/blogg.uit.no\/ekv014\/author\/ellen-johanne-kvalsvik\/"},"rbea_excerpt_info":"English Waitt and Duffy (2010) emphasised the loss of information in tourism research by arguing that a new understanding of knowledge, social power and interconnection between actors and tourism can be uncovered by focusing our attention on the ear and the world of sound. This thesis focuses on the importance of sound and soundscape in [&hellip;]","_links":{"self":[{"href":"https:\/\/blogg.uit.no\/ekv014\/wp-json\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogg.uit.no\/ekv014\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogg.uit.no\/ekv014\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogg.uit.no\/ekv014\/wp-json\/wp\/v2\/users\/272"}],"replies":[{"embeddable":true,"href":"https:\/\/blogg.uit.no\/ekv014\/wp-json\/wp\/v2\/comments?post=7"}],"version-history":[{"count":4,"href":"https:\/\/blogg.uit.no\/ekv014\/wp-json\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":104,"href":"https:\/\/blogg.uit.no\/ekv014\/wp-json\/wp\/v2\/pages\/7\/revisions\/104"}],"wp:attachment":[{"href":"https:\/\/blogg.uit.no\/ekv014\/wp-json\/wp\/v2\/media?parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}